guggenheim las vegas, baby
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February 18, 2002I have prepared a litany of excuses for you, my dear readers, as to why I've been sparse with the updates lately. I'm sure that each of you can find it in your hearts to sympathize with at least one of the following. Ready?
There, that's enough excuses. Really, I just wanted to complain about being sick again. This better not be a repeat of last year's "sick straight through until May" plague.
the new apartment, bike-wise. I'm very unnaturally excited about this garage. I'm sure it's the same feeling that most young women get about their first gas stove or crock pot or something. It's like my very own full set of Tupperware, that garage is (come to think of it, I'd take the Tupperware, too). Now if only they'd put the damned doors up so that I can move all my tools into it without fear of thievery (all of my garage stuff that isn't still at Peter's is currently sitting on my kitchen floor. In hindsight, I probably shouldn't have left the WD-40 where the cats could snort it while I'm at work. I don't trust them for an instant). It makes me happy, though, to look at my little pile of screwdrivers and torque wrench and voltmeter. Peter, because he rocks, got me a very nice housewarming present: The Art of the Motorcycle. This book is, simply put, gorgeous. It's abso-frigging-lutely huge, at over 400 pages (and oversized, hardbound, pages at that), and contains essays, poems, biographies, and above all, pictures and descriptions of the bikes that were on display at the Guggenheim Museum during the summer of 1998. The very first sentence of the very first essay is: The motorcycle, at its core, is both an object of commerce and a fetish. And, isn't that true? :) |